Finding Renewal at Archduke Weekend

Fitz Gary, Garth Newel violist, offers a behind-the-scenes look at Archduke Weekend and why this beloved Garth Newel tradition over Memorial Day Weekend is not to be missed.
 
On the Garth Newel mountainside, time moves a little differently. Rather than January 1st, Archduke Weekend marks the true beginning of our year. As such, we are faced with a sense of reflection, fresh eyes on our upcoming musical cycle, and a moment for renewal and recharge as we prepare to step into a new musical season.
 
Spring makes this transition visible, as all across campus newly forming buds start to appear. Likewise, perennial repertoire—works we return to year after year—starts to stir again, not as repetition but as rebirth, as the Quartet begins to revive beloved works in preparation for our season’s commencement. At the center of it all stands Beethoven’s Archduke Trio, not just a cornerstone of the weekend but a kind of musical emblem of renewal itself: expansive, generous, and forward-looking.

A sense of rebirth already began for us this spring. In March, the Quartet had the thrilling opportunity to perform again with Daniel Hope. Joining forces at Steve’s invitation on stage at Chamber Music Detroit, we revisited, with Daniel, Dvořák’s Piano Quintet, another beloved Garth Newel staple. It needn’t be said that the wind is in our sails from this momentous experience, and it is with refreshed eyes and ears, and a sense of possibility and optimism, that we look toward Archduke Weekend, our vibrant summer season, and the fast-approaching renovation project we have all been waiting for!

Garth Newel means so many things all at once—is it the music, the food, the landscape, the rare sense of shared experience…D) all of the above? Whichever combination of the many facets of Garth Newel suits your fancy, it is without a doubt that Archduke Weekend hits each and every one of these notes in spades, as the many elements that make up this glorious seasonal gathering come sharply into focus.

We are thawing out a few other favorites from the piano quartet literature this Archduke Weekend. The piano quartet as an ensemble cannot even be mentioned without Mozart, who wrote two great masterworks to inaugurate this specific array of musicians. His G minor Piano Quartet will be paired with Gabriel Fauré’s G minor Piano Quartet (homage or coincidence?) on Saturday—two equally compelling works full of flight and fancy.

If Mozart wrote the first-ever piano quartet, Schumann enhanced the form in 1842 during his frenzied chamber music year. The sister work to his famous piano quintet, also in E-flat major, the quartet makes bold statements in the outer movements, perhaps mirroring Schumann’s no-doubt frantic mindset during this fruitful year of composition. The inner movements show charm and humor, and you’ll hear in the third movement, in particular, some of the most touching music ever written. The Schumann will be presented on Friday alongside Stephen Hartke’s The King of the Sun, which leads us through the mind and paintings of Joan Miró. See my previous blog for a more in-depth exploration: https://www.garthnewel.org/bach-brats-beerand-a-blog/

The author Richard Powers wrote, “Music doesn’t mean things; it is things.” Perhaps this is why moments like Archduke Weekend feel so essential to so many. Music doesn’t tell us what to think, yet it transforms our minds because it invites us to explore our own imagination and emotions in the broadest, most abstract way. It meets the complexity of the human mind with something equally complex, equally free. It is the purest form of freedom of thought.
 
And so, we begin again.
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